https://www.pulleypress.com/blog-pulley-press daily 0.75 2026-10-28 https://www.pulleypress.com/blog-pulley-press/an-interview-with-kevin-chesser monthly 0.5 2026-10-28 https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/1791331938328-7RAMTLTBC5WPOD28Q5QL/Screenshot+2026-07-02+at+3.36.35%E2%80%AFPM.png Blog - An Interview with Kevin Chesser - Angelica: Why the hammer cover? Kevin: It was just my favorite from a design standpoint. It was kind of like, all of those drawings are very strange and subjective but that one seemed to be weirdly like the most unscrutable of them all. But also because of the title of the book, and the fact that there’s the hammer as the speech bubble, and it’s just dashes, right? And I thought it just logically made sense because the title of the book is a request. It’s like something that you would say and the hammer is talking, right? So, in some ways I kind of saw it, 1. I liked it because it didn’t have a moon or any planetary body in it, so it wouldn’t be on the nose. But also because I sort of interpreted it like the hammer in that strange doorway is like my subconscious talking to me, the little shadow guy, saying you know what, you’re kinda dealing with some stuff right now and you need to maybe consider some different ways of looking at how you deal with your shit. Which is kind of what the book is about. So that’s why I decided on that one. Any of them would’ve been cool but the one with the hammer definitely spoke the most. A: Did you know it the second you saw it? K: I think I did but I definitely went back and forth. I’m such a big fan of Cole’s work. Almost everything that he puts out is something that I love. He’s a local guy, he’s really young…he’s just a super talented guy. There was so much stuff to choose from just scrolling through his instagram. And you know, he actually did give me the original of that drawing as a gift. And one thing I didn’t realize, I wish I had it handy, but the original drawing is actually smaller than the book is. https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/cb42afe9-7ef9-4501-949d-5779cfa09b24/Garden+Party+Photo.jpg Blog - An Interview with Kevin Chesser - A: I actually don’t know that. Tell me more! K: Well you know, there’s just so much of it. And I find that, I knew, I felt internally, that there was some risk that people might, that it might ring as a little cliche to people’s ears, but then I really sat and stewed on the title for a long enough period of time where I’m like, no, that’s it. That’s the thing that works. I think that archetypes and stereotypes and cliches and all those things, they are prominent for a reason. Some of those reasons are good and some of them are bad, right? And I think that’s one of the things that poets can and should do, is to kind of find the middle path between all of those things and if you can use them, and you can tap into these things that register instantly with most people as like, I know I have some understanding of the significance of that, but then kind of snaking your way in there and pulling out some fresh insights into it or finding new ways to play with those things. So hopefully that’s what the book does, it’s definitely what I tried to do in different forms. A: I mean, I know I’m biased, but I think it does! K: Good. I appreciate that. A: –As a genuine reader. And I think that the parentheses really did something. You know what I mean? There’s something that feels very not-cliche because it’s already different in this way. I don’t know, it does something. https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/4714b36a-b122-4c93-8abc-e2a1dea987e3/Kevin+Chesser+Headshot.jpeg Blog - An Interview with Kevin Chesser - A: You mentioning this makes me think of Ricardo [Ruiz] actually, which I love that–it’s great that he’s also Pulley you know? Because he was in my MFA cohort you know, and I was sending him a poem once and he was like, respectfully, you’re not saying the thing. You’re saying literally everything BUT the thing. And of course it was super vulnerable and it’s like, well no, I can’t quite say it, I have to say it in this poetic way. And it’s so obvious you’re doing that, it’s not gonna hit because you’re not allowing yourself to just say it. K: Just say it, yeah. A: Sometimes you do have to just say it. K: And you know, We Had Our Reasons is totally founded on that exact principle, which is that not only are we gonna use poems to come out and just say what we want to say but then to do it in collaboration with people who aren’t self-identified as poets. To take that and just make it so you are getting these totally clear–I won’t say raw–because they’re actually really shaped and well put together, but– https://www.pulleypress.com/blog-pulley-press/a-pulley-garden-party-amp-fundraiser monthly 0.5 2026-10-25 https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/6197b91f-f953-4189-8457-020ef159c54d/100_2588.png Blog - A Pulley Garden Party & Fundraiser - Ricardo Ruiz …who wrote We Had Our Reasons, read several beautiful poems from the collection and spoke about what it meant to him to know that writing and publishing poetry from his community of Eastern Washington Mexican farm workers was an option. https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/cb42afe9-7ef9-4501-949d-5779cfa09b24/Garden+Party+Photo.jpg Blog - A Pulley Garden Party & Fundraiser - Kevin Chesser ….whose collection (Please Consider These) Alternate Names for the Moon is newly released as of October 6th, also joined us for a reading. Flying into Seattle from West Virginia, Kevin read some funny and heart-wrenching poems after getting to hold an early proof copy of his collection for the first time. https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/20bce40e-3b5c-46b6-9ca0-2bcd911b23f0/Collection+Pic.jpg Blog - A Pulley Garden Party & Fundraiser - During the breaks, the Pulley team had a table of books set up for sale. Alongside individual copies, these included the “Pulley Collection,” sets of all 11 Pulley Books (including an early release proof of Kevin Chesser’s) bound with twine and an individualized, hand-drawn label. Despite the physically and emotionally heavy atmosphere of wildfire smoke, it was a beautiful evening, and we are so grateful to Kevin and Ricardo for reading, and to everyone who joined us, bought books, or donated towards our efforts to support more rural poets across America. If you would like to contribute to the Pulley Mission, or buy the full collection of Pulley titles, please click the button below. https://www.pulleypress.com/blog-pulley-press/pulley-press-releases-please-consider-these-alternate-names-for-the-moon-by-kevin-chesser monthly 0.5 2026-10-07 https://www.pulleypress.com/blog-pulley-press/pulley-press-releases-the-river-on-our-hands-by-aj-wright monthly 0.5 2026-08-25 https://www.pulleypress.com/blog-pulley-press/eliza-jane-franklin-reviews-the-other-revival-by-salaam-green monthly 0.5 2026-07-17 https://www.pulleypress.com/blog-pulley-press/pulley-releases-the-kingdom-where-no-one-dies-by-jeff-mcrae monthly 0.5 2026-06-26 https://www.pulleypress.com/blog-pulley-press/pulley-releases-peasant-by-annie-woodford monthly 0.5 2025-09-16 https://www.pulleypress.com/blog-pulley-press/two-months-later-salaam-greens-the-other-revival-releases-to-much-acclaim monthly 0.5 2025-08-28 https://www.pulleypress.com/blog-pulley-press/torli-bushs-jd-selected-for-pushcart-prize monthly 0.5 2025-06-27 https://www.pulleypress.com/blog-pulley-press/requiem-for-a-redbird-shortlisted-for-book-of-the-year monthly 0.5 2026-08-14 https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/eb37867e-d6d1-4547-b2cd-599428c92eb9/Requiem+for+a+Redbird+cover.jpg Blog - Requiem for a Redbird shortlisted for Book of the Year Requiem for a Redbird may be purchased from your favorite local bookstore or online here. https://www.pulleypress.com/blog-pulley-press/geof-huth-reviews-wondermental monthly 0.5 2026-08-14 https://www.pulleypress.com/blog-pulley-press/pulley-in-alabama monthly 0.5 2026-08-14 https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/5e3a40e5-f920-4bc2-b027-cf7f7d9dcd4f/8F2BE599-9011-4CBB-9937-D7AC5B865130_1_105_c.jpg Blog - Pulley in Alabama The plantation house overlooks the same cotton fields where people were held captive from 1820 through the Civil War. https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/1734127435421-TZOXT566UBEWCBEBYTPC/87F71B6C-E6F2-47AB-A032-8B09C8949B5A_1_105_c.jpeg Blog - Pulley in Alabama https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/1734127435759-TNQGP0O9AS8MLDTW33RK/B4B41122-31D0-4FF6-891A-6C754A6BDCF9_1_105_c.jpeg Blog - Pulley in Alabama https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/1734127436951-9T9L4ENA46NBYH9SF1AF/C4F95B5A-C470-45E0-AFEB-4E38C2ABE101_1_105_c.jpeg Blog - Pulley in Alabama https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/980f2c20-bb84-40ed-842f-a0b6dbaabac7/03EEC0CC-3FCA-4ECC-BB28-E2EC7297EEBB_1_105_c.jpg Blog - Pulley in Alabama In short, The Other Revival follows a woman on the road to the plantation house where she will perform. You can feel the burden she has in performing the suffering of the plantation. At the house, we meet characters who carry enslavement with them. We also meet a woman in a yellow apron who asks us to join her at a Revival. Then, she and the reader, head off. 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Which way should we face when we talk about the places we love? The Braziels don’t have a single answer. (They explain that their partnership in writing—as in life—creates an implicit dialectic.) Glass Cabin is built on relationships— between husband and wife, but also between city and country, parents and children, the body and the mind, and, most strikingly, work and love. “If I keep saying I love you,” James wrote, “will it be enough when I give you a hammer and drill and ask you to brace these boards?” Jim first dreamed of the move to country more than a decade ago because it would make a writing life possible. But Tina insists it’s not merely that; it’s a creative life. “Everything we do here,” she told her husband, “is a creative act. Don’t you see that? https://www.pulleypress.com/blog-pulley-press/michael-mcgregor-interviews-ricardo-ruiz monthly 0.5 2026-08-14 https://www.pulleypress.com/blog-pulley-press/the-glass-cabin-filled-with-poems monthly 0.5 2026-08-14 https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/1717347586754-HDWHKCK97DHVRVFZQVX4/GlassCabin_3.jpeg Blog - The Glass Cabin Filled with Poems https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/1717348088705-LV40RAFBOANG20IP45T5/GlassCabin_2A.jpg Blog - The Glass Cabin Filled with Poems https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/1717347586737-P02PARFYUK86C0BHH61K/GlassCabin_1.jpeg Blog - The Glass Cabin Filled with Poems https://www.pulleypress.com/blog-pulley-press/an-interview-with-tina-mozelle-braziel-and-james-braziel-authors-of-the-upcoming-glass-cabin monthly 0.5 2026-08-14 https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/1717347586754-HDWHKCK97DHVRVFZQVX4/GlassCabin_3.jpeg Blog - An Interview with Tina Mozelle Braziel and James Braziel, authors of the upcoming Glass Cabin - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.pulleypress.com/blog-pulley-press/highlights-of-kirkus-reviews-on-a-man-with-a-rake-by-ted-kooser monthly 0.5 2026-08-14 https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/1717351197598-VCN5FWUT2PJL2DJYKIMS/ManWithARake.jpeg Blog - Ted Kooser’s A Man With A Rake receives praise from Kirkus Reviews! - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.pulleypress.com/blog-pulley-press/peek-inside-a-glass-cabin monthly 0.5 2026-08-14 https://www.pulleypress.com/blog-pulley-press/ted-koosers-journey-beyond-the-pastoral monthly 0.5 2026-08-14 https://images.squarespace-cdn.com/content/v1/6659f54321174d218f61d788/7ca74cd3-c713-4278-8e1b-d636f83dd250/TedKooser.jpg Blog - Ted Kooser’s Journey Beyond the Pastoral - 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